I subscribed to their 2014 list and I really enjoyed it. You can get the next four issues of Frontier for $35, shipping included. It’s hard to go wrong with Youth in Decline.
Check out these preview images, including a sexy one by Michael Deforge!
I subscribed to their 2014 list and I really enjoyed it. You can get the next four issues of Frontier for $35, shipping included. It’s hard to go wrong with Youth in Decline.
Check out these preview images, including a sexy one by Michael Deforge!
I usually wait till there’s a pre-order link to profile a book debut, but I just got too excited when I saw this cover.
Nick Sumida is one of comics’ rising new talents. I bet rising new talents hate to be called that, but I’m sorry, Nick, it’s true.
The Snackies minicomics were some of the funniest I’ve read in a while. Youth in Decline is collecting those first two minis, plus 24 pages of additional material, in this collection. Keep an eye on it.
Youth in Decline’s fourth issue of Frontier is now available for order. This one is by Ping Zhu. I’m not familiar with this Brooklyn-based (by way of LA) artist. Lucky for me, each issue of Frontier comes with an artist interview.
Look what arrived in the mail!
Minicomic subscription systems are interesting. I’ve never offered a
subscription myself, and I rarely sign up for them. As a customer, the upfront
cost scares me off and I’m not such a completist that I need to own a
publisher’s complete annual catalog. But, it’s a novel alternative to retail and convention sales. I’d like to learn more about how effective it is.
When Youth in Decline offered a 2014 subscription, it was a no brainer. I consider Youth in Decline a “high fidelity” micro-press (along with Study Group and a handful of others). Their books are well-designed and the content is well-packaged, yet the price point isn’t too high. Whenever I see a new issue of their flagship series, Frontier, I snatch it up. their latest edition is Frontier #3 by Sascha Hommer.
I’d never heard of Sascha Hommer, but I’m impressed. He combines precise linework with texture (dry brush?) and half tones to create a stylized cartooning that’s really appealing. He reminds me of a cleaner José-Luis Olivares (whom I adore). I also like the use of flat colors. In one case it appears he created a background by layering flat color on top of a high contrast photograph, to nice effect.
Frontier #3 offers three short stories (“Drifter,” “Transit,” and “The Black Lord”). They each suggest larger (but unrelated) stories and end without typical climaxes. But I didn’t find the stories incomplete or unsatisfying. I was comfortable with that sense of mystery.
Any way, it’s good stuff. Buy it.